The Bottom-Up Dance School fills the vacuum in the Hamburg dance community for an education in contemporary dance. It will offer further education in techniques and working methods and encounters with renowned choreographers and dance professionals. In ten teaching units, the workshop leaders will give insights into their own practices. The first class will be led by Fabrice Mazliah. The training is explicitly aimed at autodidacts and dancers who describe themselves as semi-professional and would like to do dance training.
Free admission after sign-in: tanzbiennale@kampnagel.de (latest: Jan 31), class held in English
23.02., 12 am to 4 pm
Kampnagel K6
It’s the last evening of the 7th Bienn ale Tanzausb ildung 2020 Hamburg
and the festival Fok us Tanz #6 – there could be no better reason for an excessive party serving a mix of hip hop and dancehall tunes – bassy, trappy and bouncy! The late night highlight of the festival will bring two international DJs to the kmh-Club providing a space for audience, dance students from all over the world and international festival artists to celebrate together until the early morning. Express yourself – don’t repress yourself…
Feb 22, 11:00 pm
For ticketholders, artists, and participants of the Biennale Tanzausbildung 2020
Kampnagel, KMH
WHERE HIP HOP, CONTEMPORARY, BALLET, VOGUE AND CULTURAL DANCES MEET ON THE SAME DANCE FLOOR
Why is there no battle in contemporary dance? Because there is no competition? Probably not. Within the framework of FOKUS TANZ, Kampnagel together with choreographers Ousmane Sy and Franck Edmond Yao is organizing the first FUSION DANCE BATTLE, a cross-disciplinary dance battle for dancers from all disciplines. In a casting workshop, a jury will select 40 people who will be divided into groups of 5 dancers from different dance genres. In the subsequent battle, the winners will dance together for the victory and receive prize money of €2000.
All Biennale participants from all disciplines are warmly invited to take
part in the battle!
The battle is supported by the Institut français.
Casting Feb 22, 5:30 pm, Kampnagel K1
Battle Feb 22, 8 pm, Kampnagel K6
Tickets Please register when participating. Visitortickets: 10 Euro (reduced 5 Euro)
In its BA dance program, Codarts University of the Arts offers a combination of intensive study of dance techniques, improvisation / composition, performance practice as well as theory and reflection. At Kampnagel, the students show two short pieces: “FAR-Duet” in the choreography by Wayne McGregor and “The Golden Pas de Deux (The Dowland Variation)” by Stephen Shropshire.
The Staatliche Ballettschule Berlin trains talents from all parts of the world in classic-romantic ballet as well as for contemporary dance. At Kampnagel, the students show “Work in Progress” by choreographer Barbara Gatto about the big issues of human existence.
Dance training at the Escola Superior de Dança has existed since 1983 and is characterized by constant updating and further development of the faculty as well as a close relationship with the national and international artist scene. It shows the two duets »Quando a linha desalinha« and »Em Laivo«, which were choreographed by students from the second year.
Tickets € 10 (€ 5 concession, free entrance for holders of tickets for FOKUS TANZ performances on the same night)
Kampnagel K2
The Performing Arts Programme is based on the view that education is a dynamic process that responds to a rapidly changing and diverse environment.The Programme combines somatic, improvisation and performance studies. The students will show the choreography »Stance«.
Dancescape South Africa offers dance classes for youth in disadvantaged
townships in South Africa in order to give them prospects and to offer alternatives and ways for a career in the performing arts. Dancescape South Africa presents a piece of dance theater that tells the fictional story of a healer.
Since 1927, international dancers have been trained at Folkwang University of the Arts. Dance training is understood as interdisciplinary, traditional and versatile. For Kampnagel, choreographer Ben J. Riepe, who studied dance at Folkwang University himself, developed a presentation.
Tickets € 10 (€ 5 concession, free entrance for holders of tickets for performances on the same night)
Kampnagel K2
#PUNK 100% POP *N!GGA (verbalized as “hashtag punk, one hundred percent pop, star nigga”) is a three-part live performance album inspired by chipaumire’s formative years in Zimbabwe and the energy and rebellion of punk and 1980s New Wave music. Each part explores one of three sonic ideologies: Punk, Pop and Congolese Rumba, which are confronted and celebrated through music artists Patti Smith, Grace Jones and Rit Nzele. Each session exists as a complete statement and can be performed separately (like a single song) or together as an epic song cycle (like an album). Together, the trio paints a sonic and visual landscape, engaging voice, gesture and sound clash installation.
Kampnagel K4: 20.02., 10:00 pm: #PUNK
Kampnagel P1: 21.02., 10:00 pm: 100% POP
Kampnagel P1: 22.02., 10:00 pm: *N!GGA
Tickets € 15 (reduced € 9, [k]-card € 7,50, double ticket € 20, triple Ticket €30, reduced € 20)
The Ballet Academy has been training young dance talents for more than 50 years. The basis of the training is the russian Waganowa method, supplemented by further pedagogical approaches and modern Dance techniques. The students will present »Nice to meet you too «, a collaboration with the lecturer David N. Russo.
The National Ballet School stands for excellence, accessibility, and integration at the heart of the belief that dance has a transformative strength. The NBS presents two pieces: »Duet from Three Images of Hope” by graduate Robert Binet and the Pas de deux from »La Bayadère« by Marius Petipa.
The SSCE Master Programme Performance Practice (Dance) includes physical training, choreography, critical practice, and Interdisciplinarity. It is aimed at dancers and performance artists in the fields of artistic production, pedagogy, research and public relations. They will present the group piece “Terms and Conditions” by the Indian choreographer and Master student Aseng Borang.
Tickets € 10 (€ 5 concession, free entrance for holders of tickets for performances on the same night)
Kampnagel K2
ROS WARBY: FIRE
EVA MOHN: THE MAN WHO GREW COMMON IN WISDOM
DEBORAH HAY: MY CHOREOGRAPHED BODY …REVISITED, 2019
Deborah Hay is one of the most influential choreographers of the USA and was a founding member of the legendary Judson Dance Theater in New York. Fifteen years ago, she developed a programme and a method of collaborative choreography: she writes so-called scores, i.e. choreographic instructions for action, which dancers get to develop further. Deborah Hay developed her new production ANIMALS ON THE BEACH in which she deals with continuity and discontinuity, with five dancers from this solo programme.
Hays dancers dedicate themselves to a new language of movement that does not allow any pictorial conclusions to be drawn and that incorporates the dignity, humour and intelligence of their collaborators.
Christopher Roman and Ros Warby present their solos on the first evening. And on the two other nights Deborah Hay herself presents her new solo MY CHOREOGRAPHED BODY … REVISITED, 2019 as part of a two-part evening with ANIMALS ON THE BEACH.
Funded in the context of the Association of International Production Houses from the German Federal Government Commissioner for Culture and the Media, supported by the National Performance Network Guest Performance Fund for Dance, funded by the German Federal Government Commissioner for Culture and the Media.
19.02., 8:30 pm (2 solos: FIRE & THE MAN WHO GREW COMMON IN WISDOM),
20.02. and 21.02., 8:30 pm (1 solo: MY CHOREOGRAPHED BODY …REVISITED, 2019 & ANIMALS ON THE BEACH)
Tickets € 18 (reduced € 9, [k]-card € 9, double ticket for two evenings € 25, reduced € 12)
Kampnagel K1
In QUEEN BLOOD, French choreographer Ousmane Sy pursues his exploration of energies and feminine gestures. The female dancers of the group Paradox-sal roll out their technical virtuosity and uniqueness in order to reveal or interrogate what could be womanhood, assumed or suffered, through dance and movement. Ousmane Sy belongs to the collective that has been appointed to run the Centre Chorégraphique National de Rennes.
The guest performance is supported by the Institut français and the French Ministry of Culture / DGCA. Event partner: arabesques. Wheelchair accessible.
19.02., 20.02., 21.02., 8 pm
Tickets € 40/32/24/12, reduced from € 9, [k]-card from € 6
Kampnagel K6
The school is characterized by a cultural diversity, artistic potential and technology training and advocates solidarity awareness for a future community. Local teachers as well as international teachers are in charge of the teaching programme. The students will show a piece that they have developed during their studies.
More about the school
The aim of the Bachelor’s degree in Dance at the HfMDK is to train and support creative, expressive dancers who have a wide spectrum of techniques in ballet as well as in the contemporary field. On Kampnagel they show a piece that they developed with choreographer Johannes Wieland.
The Academy of Dance is based on the classic European Ballet tradition and is one of the most traditional German training centers for dancers with roots up to the 18th century. The piece “The Pool” was created by the Italian choreographer Paolo Amerio and focuses on the social aspect of movement.
Tickets € 10 (€ 5 concession, free entrance for holders of tickets for performances on the same night)
Kampnagel, K2