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Author Archive Ulrike Steffel

Claudia Fleischle-Braun © privat
ByUlrike Steffel

Claudia Fleischle-Braun

Dr. Claudia Fleischle-Braun headed the domain of dance and aesthetic movement education at the Institute for Sports and Movement Sciences of the University of Stuttgart (1978-2006). As a member of the executive team of the Gesellschaft für Tanzforschung (gtf) she was involved in various projects in the field of modern dance heritage as well as dance education research.

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Claudia Feest © privat
ByUlrike Steffel

Claudia Feest

Claudia Feest is a respiration-, voice- and movement pedagogue as well as breath and body therapist, biologist, dancer, choreographer, co-founder and artistic director of the Tanzfabrik Berlin until 2003, networker for dance and others, co-founder and since 2006 board member of Dachverband Tanz Deutschland (DTD) and board member of Aktion Tanz – Bundesverband für Tanz in Bildung und Gesellschaft. 2006/07 Coordinator for the Hochschulübergreifende Zentrum Tanz – Pilotprojekt Tanzplan Berlin (HZT). Since 2007 she is a juror for Dance and Performing Arts in Berlin and nationwide. Teaching with a focus on breathing, movement and body perception at the HZT Berlin and the Hochschule für Musik und Darstellende Kunst (HfMDK) Frankfurt am Main, among others, as well as freelance work in her own practice and in Germany and abroad, too.

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Marianne Bäcker © privat
ByUlrike Steffel

Marianne Bäcker

Marianne Bäcker was academic director at the Ruhr-Universität Bochum and was responsible for teaching and research in the areas of Dance, Rhythmic Gymnastics and Circus Skills within the field of sport sciences. She represents the Gesellschaft für Tanzforschung in the domain of Dance Education.

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Indrani Delmaine © Kiran West
ByUlrike Steffel

Indrani Delmaine

Indrani Delmaine was born in London, England where she completed her training as a ballet dancer and teacher. She then attended the John-Cranko-Ballett Akademie in Stuttgart before being offered her first contract by John Neumeier in 1977 for the Hamburg Ballet. She later danced with the Stuttgart Ballet for three years before returning to John Neumeier in Hamburg in 1982. Indrani Delmaine worked as a ballet teacher and on dance projects with the Hamburg Youth Orchestra, “Focus on Youth”, TuSch Hamburg and workshops at the Leuphana University. Indrani Delmaine returned in 2013 as the Managing Co-ordinator of the School of the Hamburg Ballet.

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Yohan Stegli © Silvano Ballone
ByUlrike Steffel

Yohan Stegli

Yohan Stegli, born in Aix-en-Provence/France, studied at the Mireille Marin Dance School in Trets and at the School of The Hamburg Ballet. In 1999 he became a member of the Company of The Hamburg Ballet, where he was promoted to Soloist in 2004. He danced solo roles in several of John Neumeier’s ballets, among them “Third Symphony of Gustav Mahler”, “Winter Ways”, “Saint Matthew Passion” and “Opus 100”. He was a guest dancer in Tokyo, Osaka and Luxemburg as well as in Toronto at Canada’s National Ballet School and at the School of the Paris Opera, where he also staged John Neumeier’s ballet “Yondering”. In 1998 he received the Prix Espèces at the Prix de Lausanne and in 1999 the first prize at the eight’s Eurovision contest for young dancers. Yohan Stegli has repeatedly worked as a choreographer. In Hamburg, in April 2011, he organized the performances of the “Young Choreographers”. In 2011 he officially ended his stage career. Yohan Stegli was Deputy of the Artistic Director of the German National Youth Ballet from its foundation until the end of season 2016/2017. After that, he became Managing Director.

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© privat
ByUlrike Steffel

Susanne Triebel

Susanne Triebel has been an assistant in the education department for contemporary and classical dance at the ZuKT and the coordinator of the internationally oriented Masters Degree in Contemporary Dance Education (MA CoDE) since 2011. She received her formal dance training at the John Cranko School in Stuttgart and the Rheinischen Musikhochschule in Cologne. In 2009 she graduated from the MA program in Contemporary Dance Education at the University for Music and Performing Arts Frankfurt am Main. Between finishing her diploma and her masters degree, she danced for several years at Städtischen Bühnen Münster, Staatstheater Mainz, Staatstheater Darmstadt and Tanztheater Gießen. She has been teaching for the BA in Dance Management and supervising projects and demonstration lessons for the MA CoDE since 2012. Susanne Triebel is a current spokesperson for the AK|T.

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© Jesse Johnson
ByUlrike Steffel

Dieter Heitkamp

Dieter Heitkamp is a professor of contemporary dance at the HfMDK Frankfurt am Main and director of the education department at the ZuKT (Zeitgenössischer und Klassischer Tanz). He was a speaker for the AK|T from 2007 – 2014 and worked as part of the management team of Tanzlabor_21 from 2006-2015. He is a founder and former collective member of Tanzfabrik Berlin, and was one of their artistic directors until 1995. His choreographies have been shown in Germany, Europe, the USA Japan, Hong Kong and Brazil. For the last 40 years he has been working intensively on the study, teaching, documentation and performance of contact improvisation.

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Foto: Bettina Stöß
ByUlrike Steffel

Nik Haffner

Nik Haffner has been the artistic director of HZT Berlin since 2012. As a dancer and choreographer, Nik Haffner realised projects that mostly emerged from collaborations with other artists (including Christina Ciupke and Mart Kangro). His interest in collaboration and interdisciplinary exchange lead him to mediation and education projects. He worked as a guest teacher at schools including P.A.R.T.S. Brussels and Trinity Laban, and also as a Mentor in the K3 Hamburg residence program and as part of the project ensemble of Tanzlabor_21 in Frankfurt/Main. After finishing his dance education at the University of Music and Performing Arts in Frankfurt and at the Australian Ballet School, Melbourne, Nik Haffner joined Ballett Frankfurt under William Forsythe in 1994. Between 1994-1999 he developed the digital publication “Improvisation Technologies, and went on to work on the online score “Seven Duets” for the platform MotionBank.org with Jonathan Burrows and Matteo Fargion from 2012-13. Nik Haffner is a member of the advisory board for Dance Congress Germany and the head speaker of the AK|T Dance Training Conference Germany.

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ByUlrike Steffel

Jason Beechey

Jason Beechey has been the Rector of the Palucca Hochschule für Tanz Dresden since 2006. Having trained at Canada’s National Ballet School, the Vaganova Ballet Academy in St. Petersburg and the School of American Ballet in New York, he danced as a Soloist for the London City Ballet and then fifteen years with Charleroi/Danses in Belgium. Parallel to this, he was the Pedagogical Director for the Choreographic Centre of the Federation Wallonia-Brussels, founded and ran his own studio, The Loft, and was the creator/coordinator of the D.A.N.C.E. Program under the Artistic Direction of Frédéric Flamand, William Forsythe, Wayne McGregor and Angelin Preljocaj. Joining the Prix de Lausanne as a Member of the Artistic Committee in 2009, he continues his involvement there and is also a regular jury Member for the Youth America Grand Prix.

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© privat
ByUlrike Steffel

Rosemary Helliwell

Rosemary Helliwell is presently Acting Director of the Academy of Dance of the state funded Mannheim University of Music and Performing Arts, having been previously the Deputy Head of the dance department under Prof. Birgit Keil. She has also been an active jury member of the Choreographic Center Heidelberg for several years. After studying dance in England at the Doreen Bird College and at the John Cranko School Stuttgart, she began her career as a dancer with the Stuttgart Ballet. After her first choreographic works for the young choreographers’ Noverre Society in Stuttgart, she went on to choreograph for Márcia Haydée and became resident choreographer of the Stuttgart Ballet. Rosemary Helliwell has also choreographed ballets for the London City Ballet, Northern Ballet Theatre (Manchester), National Ballet of Finland, National Ballet of Peru, Irish National Ballet, City Contemporary Dance Company Hong Kong, Ballet Philipines (Manila), Ballet St. Gallen (Switzerland), Ballet of the City of Koblenz, Ballet of the National Theatre Mannheim, Ballet of the Kiel Opera House, Dance Foundation Birgit Keil, and for the Ballet of the Landestheater Coburg.

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