The school is characterized by a cultural diversity, artistic potential and technology training and advocates solidarity awareness for a future community. Local teachers as well as international teachers are in charge of the teaching programme. The students will show a piece that they have developed during their studies.
More about the school
The aim of the Bachelor’s degree in Dance at the HfMDK is to train and support creative, expressive dancers who have a wide spectrum of techniques in ballet as well as in the contemporary field. On Kampnagel they show a piece that they developed with choreographer Johannes Wieland.
The Academy of Dance is based on the classic European Ballet tradition and is one of the most traditional German training centers for dancers with roots up to the 18th century. The piece “The Pool” was created by the Italian choreographer Paolo Amerio and focuses on the social aspect of movement.
Tickets € 10 (€ 5 concession, free entrance for holders of tickets for performances on the same night)
Kampnagel, K2
After the first known cases of sexual harassment in 2017, the discussion in the past two years has been significantly more differentiated and the first studies have been published. The focus is not on the specific incidents, but on the analysis of the toxic environment, which makes it possible to cross borders or even supposedly legitimizes them. Among other things, rigid hierarchies, dependency relationships and a culture of silence were identified. After a brief introduction, an AK|T statement should be prepared in an open discussion. For teachers of the AK|T member institutions.
Moderation: Susanne Triebel
Feb 19, 4:35 pm-5:30 pm
Kampnagel, Jarrestraße 20, 22303 Hamburg, Peacetambul
Questions from AK | T members on various topics. For teachers of the AK|T member institutions.
Moderation: Dieter Heitkamp et al.
Feb 19, 3 pm – 4:30 pm
Kampnagel, Jarrestraße 20, 22303 Hamburg, Peacetambul
You have the knowledge. What do you do with it? Pass it on! Considering the concept of sharing knowledge (which is a common ground in artistic work for decades) instead of teaching to unknowing students might change the approach and the contact between teachers and students.
No one can exactly understand the physical experience of another person. Especially in dance, where the subjective body is at the center, it seems to be particularly relevant to engage in collaborative ways of working. Dancers and performers in choreographic processes depend on their own decisions in and with the body. How can a learning practice reflect these needs?
In this workshop, participatory research methods are put up for discussion and questioned about their implicit techniques, role models, body images in order to convey a perspective on how practical, non-institutionalized knowledge can be used. Thus, a cognitive distancing towards well-rehearsed routines, forms of interaction and power relations should be made possible in order to question established understandings and strategies and to be able to rethink dance education.
Moderation: Sebastian Matthias
Feb. 19, 11:00-1:00 pm and Feb. 21, 3:00-5:00 pm
Feb. 19: Ballettzenturm Hamburg John Neumeier, Caspar-Voght-Straße 54, 20535 Hamburg
Feb. 21: Kampnagel, Jarrestraße 20, 22303 Hamburg, Tent
This lecture performance by multi-disciplinary artist Claire Cunningham explores her artistic practice -specifically the use / misuse, study and distortion of crutches in artistic practice and how they shape her practice. In the widest sense her work has shifted from its explorations about the connection between the crutches and the body – from what is possible in the combination of the crutches with her and other bodies to how the crutches connect her to the world.
Lecture performance in English.
Handicapped accessible offers: the artist’s live audio description is a part of the performance.
Early admission.
All information about what is handicapped accessible: www.kampnagel.de/service/barrierefreiheit
Supported by Europe Beyond Access and co-financed by the Creative Europe Project of the European Union.
Tickets € 10, reduced: € 5
Kampnagel P1
The Palucca University of Dance Dresden is Germany’s only independent university for dance with a bachelor’s and two Master’s programs. Students are taught classical, contemporary / modern dance and improvisation. On Kampnagel, they will show »Constellations« by the Canadian choreographer Matjash Mrozewski. His artistic cosmos ranges from dance to opera and film.
The Center for Contemporary Dance works interdisciplinary and sets impulses for artistic and practice-oriented research. The piece »LEVIAH« is presented by Israeli choreographer Reut Shemesh, who was invited to this year’s Dance platform.
The Invisible Center of Contemporary Dance offers a structure for workshops, jam sessions, research, screening of dance films and the underground dance festival UNTIMELY. The goal is to make contemporary dance accessible in Iran. They will show their jointly choreographed group piece »We all need a party«.
Tickets € 10 (€ 5 concession, free entrance for holders of tickets for performances on the same night)
Kampnagel K2
Programmatic and organizational topics, preparation of AKIT spokesman’s choice, exchange about future biennial formats and the general goals of the Biennale. For teachers of the AK|T member institutions.
Moderation: Peter Boragno, Nik Haffner
Feb 18, 3 pm – 6 pm
Kampnagel, Jarrestraße 20, 22303 Hamburg, Peacetambul
In this workshop, we will explore, de-construct, and discuss our politics. These explorations, de-constructions, and discussions will take place in the space between speech and movement. We will start with the naming of some of the political topics and ideas that are on our minds. Then from there, we go into dance improvisation exercises (taken from Zwoisy‘s artistic practice) that draw a bridge between the verbal and movement languages. While we explore how socio-political messages inhabit our bodies daily and how our bodies express them, we will actively listen to one another. In these moments and beyond, we can give support, peaceful resistance, and solidarity to one another. In part of this workshop, touch will be used; physical boundaries will be self-directed and the responsibility of respecting these boundaries will be shared by all.
Teacher: Zwoisy Mears-Clarke
Kampnagel, Jarrestraße 20, 22303 Hamburg, room K32
Feb. 18/19, 3:00 pm
Attention: criss-cross!
The do-shops #5-8 are two days each, on Tuesday and Wednesday #5 and #6, on Friday and Saturday #7 and #8. They will be combined as 5/7, 5/8, 6/7 and 6/8.
Instead of looking at the body as one entity with one centre, the body represents an interactive relationship of ‘bodies’ giving it its dynamics, presence, and meaning. It focuses on centres of dynamics that could be seen as centres of attention and communication. Creating spaces of inspiration that are framed, mutated, and dissolved in time, is a central concept of this approach. The MaqaM aims to introduce a broader concept of choreography and dance based on inner impulses of presence rather than pure physical forms. Movement becomes an urgency for being and for the generation of meaning rather than for showing forms and exhibiting representations.
Teacher: Omar Rajeh
Feb. 18/19/21/22, 3 pm
Kampnagel, Jarrestraße 20, 22303 Hamburg, room 6a
What do we think of when we talk about “the” dance history? Whose bodies and movements does this history glorify, and whose does it ignore? Who writes this history, what is their profit in its retellings? Such questions motivate this do-shop. We will first make explicit our preconceptions and accepted narrative of dance history. Then, we will see how we have been locating ourselves in it. Finally, we will devise some criteria for feminist, anti-colonialist, post-humanist routes of telling the multiple stories of dance, and see what kind of motions, shapes, anatomies they might afford to our bodies today and in the future. To achieve these goals, we will practice our improvised writing as well as improvised moving skills.
Teacher: Eylül Fidan Akinci
Feb. 18/19/21/22, 3 pm
Kampnagel, Jarrestraße 20, 22303 Hamburg, room KX